English 216: Readings in Narrative
About the Course (or, What Have I Gotten Myself Into?)
Texts in VCU Bookstore
The Norton Anthology of Short Fiction, Shorter Fifth Edition.
R.V. Cassill.
CONNECT.Net for Windows. Norton. (instruction book, access
to our program; if you already have a CONNECT access number, you do not
have to purchase another.) Software
download
What we are up to in this course
The reading, writing, and telling of literature, especially narrative
fiction--which is our focus this semester--provides us not only with intellectual
and emotional pleasure, but with better understanding of ourselves, ouir
relationships, and our culture. But the deepest and most sustaining pleasures
are not those which come from the first reading experience of following
a plot and some characters to the end, as we can do easily with movies
and television. It is the stories which we must attend to which stay with
us and invite thoughtful re-reading over time.
To read critically--intelligently, perceptively, affectively--is a complex,
self-conscious activity. Creating meaning requires noticing, knowing, and
asking questions, all of which requires careful rereadings and encountering
interpretations verbalized by other readers. This process, which at its
best is both personal and collaborative, results in "exploding"
the possible meanings of a text.
To write critically is also a process, one which records and shares
the reading moment, as well as one which works to present a well-argued
and focused interpretation of a text in a paper. Again, this type of writing
is collaborative at its best, since you measure your personal reading against
those of other readers which confirm, challenge, and fine-tune your own
critical interpretation.
Thus, critical reading and writing are totally and recursively linked
into the thinking, feeling, and interpreting process--there is no point
where one ends and the other begins. The more aware you become of this
dynamic, the better you are as a reader.
To put it in simpler terms, we are going to read/reread/write/rewrite....,
starting always with "what does it mean to me and why?" moving
to "what are the many possibilities of interpretation?" and finally
"what interpretation works best for me at this point of my reading
and communicates most persuasively with other readers?" We will follow
the natural progress of critical writing, from first reading responses,
to rereading analyses, text interpretation, and critical arguments. This
process will be relatively slow and recursive, allowing us to explore each
successive step through carefully designed reading/writing protocols. To
make this happen--and to put the teacher in her proper place as coach and
resource--we will meet in the computer center, using CONNECT.Net, the Web,
and occasionally GUIDE, as tools to achieve an interactive collaboration
difficult to accomplish in an ordinary classroom structure.
Structure
This will be a truly dynamic course which will take its shape as we
go. We will be writing constantly and reading everything we write, as well
as the reading assignments. Each week the syllabus will take shape, and
we may go back and work on stories several times, looking at them differently.
So you will need to check this on-line syllabus
constantly for changes. We will be reading stories, writing and reading
your responses to them, then we will later re-read them more intensely
and write again. You will need to read all of the posted papers and comment
on them as instructed for each class. You are also expected to read what
I post on CONNECT or our Internet site, including links from the syllabus.
Writing Assignments and Grading
Your writing, as well as your reading, will be more process than product-oriented.
Just what you will write, informally and formally, will unfold as we move
through the course, but you can expect to write--and some cases, rewrite--for
every class. Your response writing on CONNECT will count for 50% of your
grade; several more (short) formal papers, including a final paper, will
count at least 10% each. There may be a test or two during the semester,
depending on how active your response writing is. After the sixth week
of class, you will review your progress with me; the final grade will take
into account all of your writing, especially your final work (which is
where you have "arrived" in this process.)
Printing
We will have access to a printer to print out drafts, responses, and
papers (relatively short stuff). To use the printer in Hibbs, you must
either bring me a ream of copy paper (for unlimited copying) or pay by
the page. Chances are you will not need to print at all.
Attendance
A major requirement is that you attend class regularly and that you
do the assigned readings and respond to them (on the computer) preferably
before you come to class. You can post your response before class and then
respond to the class discussion within 48 hours, if you must, but you will
miss the energy of the discussion if you do (and there will be plenty of
“face-to-face” work during the class period). Note: historically speaking,
missing class and failing to post on time can DESTROY your grade!
Computer connection
The written assignments for each class can be done on any computer
and saved to your CONNECT file in text format, then uploaded into the assignment
slot for that day. If you have access to a Windows computer with WORD on
it and Internet access, you will have 24-hour access to CONNECT.Net, where
much of your work/discussion will be done. You can also find access on
Windows computers throughout the university, since CONNECT is Internet-based
(I’ll give you details on this). If you are very new to this whole computer
business, don’t worry--it’s not hard to learn the programs we are using,
and there will be help available.
Honor Policy
Because our work will often be collaborative, there are important integrity
issues. You should not copy or print anyone's work from the computer (including
the Web) without their permission and you should not "jump ahead"
by reading hypertext or other responses before you have written your own.
In other words, respect the work of others, even on the Internet, and give
credit where credit is due, in no way presenting it as your own.