The Playwright's Production Team

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Order '. . . I would like to write a piece about the influence, its dangers and its values, of a powerful and highly imaginative director upon the development of a play, before and during production. It does have dangers, but it has them only if the playwright is excessively malleable or submissive, or the director is excessively insistent on ideas or interpretations . . ..'

-- Tennessee Williams



Playwriting is a solitary art -- until you stop putting words on paper. From the moment a theatre expresses interest in your play, it becomes a collaborative process. But unlike the compromises Screenwriters have to swallow, your word is law. Literally . . .

Nobody Can Change a Word of Your Play
Without Your Approval

But use some common sense.

The play you've put on paper may only be a shadow of the one in your head.

The folks you'll be involved with usually know this business from years of experience, so their suggestions may be worth trying. And they do have the ultimate brick to bang on your head: if you're overly stubborn, they can just decide not to do your play.

In addition to the performers, here's the crowd you'll be living with . . .


Having a theatre put all this together for you has a lot going for it. But if you're daring, rash, and impatient, there's always . . .

Self-Producing


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